A residential studio with two points of reference

Decorative interior scene with a large green hydrangea plant in a white porcelain vase featuring traditional Chinese landscape paintings, placed on stacks of books on a dark wood floor. A wooden chair holds a vintage rotary phone, a stack of books, and a notebook. Open books and papers are scattered on a patterned rug in front of the chair, with a small red decorative elephant and a stack of red books nearby. A floral-patterned curtain hangs in the background.

Easton Campbell designs homes with the patience of Montana and the precision of New York, for clients who want both.

The Studio

Easton Campbell began with a simple observation: the two places we know best have rarely agreed on how a room should feel. Montana taught her patience, understatement, and respect for things that last. New York taught her precision and how much a single well-placed detail can carry. The studio exists to keep both.

Projects begin in the house itself, with a long look at the rooms and a longer conversation about how they are lived in. From there the studio manages the design through installation, sourcing antiques, textiles, and furnishings through a network of dealers and makers, and staying involved until the rooms are finished.

The result is a home that looks like its owners and could not be mistaken for anyone else's.

Part of a room with a blue wall, three framed pictures of horse-drawn carriages, and a decorative mirror with a gold and maroon ornate frame.

Our Values

Honest Materials

We choose materials for how they age: brass left to patina, wool, worn leather, stone, waxed wood. Nothing is chosen to look new, and nothing is chosen to look old. Each piece earns its place by improving with time and handling, which is why a room should look better in year ten than it did on installation day.

Exactness

Every detail is decided at the same level of seriousness, from the plan to the trim, from a curtain's weight to the height of a lamp.
Nothing is left to be sorted out later, because a room that feels effortless has usually been worked out to the last inch.

Rooted in Place

The studio works between two places and belongs to both. Montana supplies patience, understatement, and a wariness of anything that shows off. New York supplies pace and polish. The result is a home that belongs to its landscape and knows how to receive guests.

Woman sitting on a green velvet sofa in a cozy living room, surrounded by patterned pillows, with a window showing greenery outside, flanked by striped curtains, and a wooden side table with a flower arrangement on the left.

Meet Cassidy

Cassidy Hayes took her RISD training and time at landmark institutions like The Plaza and The Carlyle to build Easton Campbell without compromise. A fifth-generation Montanan, her spaces are unapologetically saturated, heavily detailed, and far too confident to care about what is currently in style.

Work With Me